Today I have another great guest post for you. This time Simon Horrocks has taken some time to give us a fascinating look at the disturbing sci-fi movie "Third Contact", which he is currently working on.
Science
fiction, known as a ‘literature of ideas’, has emerged as a genre
only in relatively recent human history. We looked out into a vast,
unfathomable universe and saw that we were far from the centre of it.
So, something of an irony, then, that the more science enables us to
dominate our environment, the less in control of it we feel.
Set
in dystopian futures where civilisation has broken down, or
inflicting on us irresistable warrior-races from alien worlds, or
even monsters of our own making (from Frankenstein’s creation to
The Terminator’s Skynet and beyond), sci-fi reflects an age of
human paranoia, where every new discovery forces us to question
everything around us.
American
novelist Philip K. Dick’s stories were mostly driven by one theme;
a question central to our existence – what does it mean to be
human? Are we no more than a genetic machine? Are we merely a device
for carrying memories around? If one day we can replicate this
machine, so that neither we nor the machine can spot the difference,
will this machine be human too?
The
Steampunk trend is perhaps a reaction to these uncertain times,
harking back to a day when science was as unsettling as a chemistry
set on Christmas morning. H. G. Wells time machine was, somewhat
quaintly, made out of nickel, ivory bars and ‘sawn out of rock
crystal’. The intrepid Time Traveller embarks on his journey by
pulling smartly on the machine’s ‘starting lever’.
However,
there is perhaps a suggestion Wells had some foreknowledge of the
Many Worlds theory and immortality. As the Time Traveller is about to
set off on his journey, he describes the moment he is about to
operate the machine as “a suicide holding a pistol to his skull”.
Did he somehow get a premonition of the Quantum Suicide idea?
At
some point in the (probably not too distant) future, ideas we now
consider the height of cutting-edge sophistication, will inevitably
seem humorously quaint to those looking backwards. But we science
fiction creators hope we will have touched on some timeless theme,
even if it’s a little bit by accident.
So
it was, in 2007, I began to write a story about the uncertainty of
everything. That story, through various incarnations, eventually
became a movie, Third
Contact.
At the time, I was moving through many dark places in my mind.
They’re not always the most pleasant places to be, but what I
brought back from those lightless caves went into the screenplays I
was writing.